Art History 132 : Final List

Painting: Baroque

Highlights...(that's a pun) and the position of the Artist

• Caravaggio. Conversion of St. Paul. Santa Maria del Popolo, Rome. 1601. (19-18)
• Caravaggio. The Calling of St. Matthew. an Luigi dei Francesi, Rome, 1601. (19-19)
• Artemisia Gentileschi. Judith Slaying Holofernes. 1620. (19-21)
• Annibale Crracci. Loves of the Gods. Palazzo Farnese, Rome, 1601. (19-23)
• Fra Andrea Pozzo. Glorification of St. Ignatius. Ceiling fresco in the nave of Sant'Ignazio, Rome. 1696. (19-27)
• Peter Paul Rubens. Elevation of the Cross. Antwerp Cathedral, Belgium, 1610. (19-34)
• Frans Hals. Archers of St. Hadrian. 1633. (19-42)
• Frans Hals. The Women Regents of the Old Men's Home. 1664, (19-43)
• Rembrandt. The Night Watch. 1642. (19-45)
• Rembrandt. Return of the Prodigal Son. 1665. (19-46)
• Rembrandt. "The Hundred Guilder Print. Etching. 1649. (19-48)
• Judith Leyster. Self-Portrait. 1630. (19-49)
• Vermeer. Allegory of the Art of Painting. 1670-1675. (19-53)

France, Realism, and the Revolution(s)

From Classicism to Realism

• Poussin. Et in Arcadia Ego. 1655. (19-58)
• Girardon. Apollo attended by the Nymphs. Versailles. 1672. (19-70)
• Watteau. Return from Cythera. 1719. (20-4)
• Fragonard. The Swing. 1766. (20-6)
• Elisabeth Vigee-Lebrun. Self-Portrait. 1790. (20-13)
• Hogarth. Breakfast Scene from Marriage a la Mode. ca. 1745. (20-14)
• Sir Joshua Reynolds. Lord Heathfield. 1787. (20-16)
• John Singleton Copley. Portrait of Paul Revere. 1770. (20-18)
• David. Oath of the Horatii. 1784. (20-21)
• David. Death of Marat. 1793. (20-22).
• Canova. Pauline Borghese as Venus 1808. (20-26)
• Ingres. Grande Odalisque. 1814. (20-37)
• Goya. Third of May, 1808. 1814. (20-43)
• Gericault. Raft of the Medusa. 1819. (20-45)
• Delacroix. Death of Sardnapalus. 1826. Romanticism (20-47)
• Delacroix. Liberty Leading the People. Romanticism (20-48)
• Constable. The Haywain. 1821. (20-53)
• Turner. The Slave Ship. 1840. (20-54)
• Courbet. Burial at Ornans. 1849. (Realism) (21-2)
• Honore Daumier. Rue Transnonain, 15 April 1834. Lithograph. 1834. (Realism) (21-4)
• Bouguereau. Nymphs and Satyr. 1873. Academic painting (21-9)
• Thomas Eakins. The Gross Clinic. 1875. Realism (21-12)
• Henry Ossawa Tanner. The Thankful Poor. 1894. Realism (21-15)

Impressionism--and the City of Paris

See also the Opera.

• Edouard Manet. Olympia. 1863. ("I'm not an Impressionist!") (21-8)
• Edouard Manet. Luncheon on the Grass. 1863. (21-7)
• Claude Monet. Impression: Sunrise. 1872. (21-20)
• Gustave Caillebotte. Paris: A Rainy Day. 1876./877. (21-22)
• Pierre Renoir. Moulin de la Galette. 1876. (21-25)
• Georges Seurat. Sunday Afternoon on the Island of the Grand Jatte. 1884/1886. (21-39)
• Henri Toulouse-Lautrec. At the Moulin Rouge. 1894/1985. (21-32)
• Camille Pissaro Place du Theatre Francais. 1898. (21-23, 24)

Post-Impressionism

What is Post-Impressionism? Why, the art after Impressionism!

• Van Gogh. The Night Cafe'. 1888. (21-34)
• Van Gogh. Starry Night. 1889. (21-35)
• Gauguin. The Vision After the Sermon. 1888. (21-36)
• Georges Seurat. Sunday Afternoon on the Island of the Grand Jatte. 1884/1886. (21-39)
• Cezanne. Mont Sainte-Victoire. 1902-1904. (21-40)
• Henri Rousseau. The Sleeping Gypsy. 1897. (21-45)
• Munch. The Scream. 1893. (21-46)
• Rodin. Burghers of Calais. 1889. (21-50)

20th-Century Painting and Some Ideas

The End is Near!

• Matisse. Woman with the Hat. 1905. (Expressionism) (22-1)
• Matisse. Red Room. 1909. (Expressionism) (22-2)
• Kirchner. Street, Dresden. (Expressionism) 1908. (22-4)
• Picasso. Gertrude Stein. 1907. (22-8)
• Picasso. Les Demoiselles d'Avignon. 1907. Cubism (22.9)
• Picasso. Still Life with Chair-Caning. 1912. Cubism (22-12)
• Boccioni. Unique Forms of Continuity in Space. 1913/1931. Futurism: Interest in speed, action, violence (22-20)
• Marcel Duchamp. Fountain. 1917, 1950. Sort of Cubism/Futurism (22-23)
• Marcel Duchamp. Nude Descending a Staircase. 1912. (22-29)
• Many Ray. The Gift. 1921, 1958. Dada (22-32)
• Salvador Dali. The Persistence of Memory. 1931. Surrealism (22-46)
• Meret Oppenheim. Object. 1936. Surrealism (22-48)

Prints, Drawing, Photography

This selection of art centers around technical and artistic innovations of the 19th century. Remember the enormous development of the printing industry.

• Honore Daumier. Rue Transnonain, 15 April 1834. Lithograph. 1834. (21-4)
• Aubrey Beardsley. Salome'. Pen and ink drawing. 1892. (See 21-54) "Art Nouvearu"
• Toulouse-Latrec. Two Dance-hall advertising posters. 1891, 1893.
• Daguerre. The ArtistŐs Studio. Signed and Dated 1837. (20-64)
• [Assorted early photos on different topics; will not be tested]
• Nadar. Eugene Delacroix. 1858. (20-66)
• Nadar. Sarah Bernhardt. 1858.
• Julia Margaret Cameron. Ophelia. 1867. "The Painterly Style". Soft focus.
• Gertrude Kasebier. Blessed Art Thou Among Women. 1898. "The Painterly Style". Rice paper. (21-19)
• Timothy O'Sullivan. Harvest of Death: Gettysburg. 1863. (20-68)
• Alfred Stieglitz. The Steerage. 1907. (22-30)

Some Western Architecture

This list comprises the structures we looked at from Chapters 20 through 23.

• Richard Boyle and William Kent. Chiswick House. Near London, begun 1725. (20-27)
• Thomas Jefferson. Monticello. Charlottesville, Virginia, USA. 170-1896. (20-31)
• The Capitol, Washington, D.C., by Benjamin Latrobe and Major L'Enfant's plan. (20-32)
• J. L. Garnier. The Opera, Paris. 1861-1874. (20-60)
• Joseph Paxton. The Crystal Palace, London. 1850-1851. (20-62)
• Eiffel. Eiffel Tower. Paris. 1889. (21-57)
• Walter Gropius. The Bauhaus. Dessau, Germany. 1925-1926. (22-59)
• Le Corbusier. Villa Savoye. Near Paris. 1929. (22-64)
• The Skyscraper! The Empire State Building, NYC
• Frank Lloyd Wright. Robie House. Chicago, IL. 1907-1909. (22-66)
• FLW. Fallingwater. Bear Run, PA. 1936-1939. (22-68)
• Ludwig Mies van der Rohe and Philip Johnson. Seagram Building. NYC. 1956-1958. (23-46)
• Philip Johnson. AT & T Building. NYC. 1978-1984. (23-49)