Santa Trinita Madonna.  Early 1280s.  Florence, Uffizi Gallery.

Cimabue
A Brief Bibliography

Mariagiulia Burresi and Antonino Caleca, eds.. Cimabue a Pisa : la pittura pisana del Duecento da Giunta a Giotto. Pisa, Pacini Editore, 2005.

Joseph Manca. "Cenni di Pepo as Cimabue : personality, appearance, or activity?" Source, vol. 24, 2005 No. 3: 1-5.

Luciano Bellosi. "Apparati a cura di Giovanna Ragionieri." Cimabue. Milan, Motto, 2004.

Luciano Bellosi. Cimabue. New York, 1998.

M. Chiellini. Cimabue. Florence, 1988.

Hayden B.J. Maginnis. "Duccio's Rucellai Madonna and the origins of Florentine painting." Gazette des Beaux-Arts. v. ser. 6 vol. 123 (Apr. 1994): 147-64. This is on the reattribution of the Rucellai Madonna to Duccio and its significance for Italian painting.

Max Seidel. "Hochzeitsikonographie im trecento". Mitteilungen des Kunsthistorischen Institutes in Florenz. v. 38 no. 1 (1994): 1-47.

John White. "Cimabue and Assisi: working methods and art historical consequences." Art History, vol. 4, no. 4 (1981): 355-383.

D. Wilkins. "Early Florentine frescoes in Santa Maria Novella." Art Quarterly. vol. 1, no. 3 (1978): 141-174.

Leonetto Tintori. "Il bianco di piombo nelle pitture murali della Basilica di San Francesco ad Assisi." Studies in Late Medieval and Renaissance Painting in honor of Millard Meiss. 1977: 437-444.

E. Sindona. L'Opera completa di Cimabue e il monumento figurativo pregiottesco. Milan, 1975.

James H. Stubblebine. "Cimabue and Duccio in Santa Maria Novella." Pantheon, vol. XXXI (1973): 15-.

E. Battisti. Cimabue. New York, 1967.

A. Nicholson. Cimabue. Princeton, 1932.

F. Albertini. "Memorie di molte statue e picture della cita di Firenze." Florence, 1510. Also M. Jordan, ed., in Crowe and Cavalcaselle: Geschichte der italienischen Malerei. Leipzig, 1869-71.



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