Santa Trinita' Madonna.  Early 1280s.  Florence, Uffizi Gallery.

CIMABUE
A Brief Bibliography

Titles are listed in order by date of publication.

Luciano Bellosi. "Un intervento imprevedibile di Cimabue ad Assisi." Prospettiva. 128 (2007(2008)): 43-57.

Marilyn Aronberg Lavin. "Cimabue a' Assise: la Vierge, le Cantique des Cantiques et le don d'amour." In: Republique des lettres, republique des arts: melanges offerts a' Marc Fumaroli, de l'Academie Francaise. Christian Mouchel and Colette Nativel, eds. Geneva, 2008: 151-166.

Maria Rosaria Marchionibus. "L'evangelista Marco nella vela di Cimabue ad Assisi: immagine e realta'." Arte medievale. N.S. 7 (2008) 1: 81-93. Medioevo: il tempo degli antichi. Atti del convegno internazionale di studi, Parma, 24-28 settembre 2003. Milan, 2006: 493-500.

Mariagiulia Burresi and Antonino Caleca, eds.. Cimabue a Pisa: la pittura pisana del Duecento da Giunta a Giotto. Pisa, Pacini Editore, 2005.

Joseph Manca. "Cenni di Pepo as Cimabue: personality, appearance, or activity?" Source, vol. 24, 2005 No. 3: 1-5.

Luciano Bellosi. "Apparati a cura di Giovanna Ragionieri." Cimabue. Milan, Motto, 2004.

Luciano Bellosi. Cimabue. New York, 1998.

M. Chiellini. Cimabue. Florence, 1988.

Hayden B.J. Maginnis. "Duccio's Rucellai Madonna and the origins of Florentine painting." Gazette des Beaux-Arts. v. ser. 6 vol. 123 (Apr. 1994): 147-64. This is on the reattribution of the Rucellai Madonna to Duccio and its significance for Italian painting.

Max Seidel. "Hochzeitsikonographie im trecento". Mitteilungen des Kunsthistorischen Institutes in Florenz. v. 38 no. 1 (1994): 1-47.

Umberto Baldini. Le crucifix de Cimabue. Vienna, 1982.

John White. "Cimabue and Assisi: working methods and art historical consequences." Art History, vol. 4, no. 4 (1981): 355-383.

Eve Borsook. The Mural Painters of Tuscany from Cimabue to Andrea del Sarto. Published London, 1960; expanded and revised edition Oxford, 1981.

Joel Brink. "Carpentry and Symmetry in Cimabue's Santa Croce Crucifix." The Burlington Magazine. Vol. 120, No. 907 (October, 1978): 640+645-653.

David Wilkins. "Early Florentine frescoes in Santa Maria Novella." Art Quarterly. vol. 1, no. 3 (1978): 141-174.

Leonetto Tintori. "Il bianco di piombo nelle pitture murali della Basilica di San Francesco ad Assisi." Studies in Late Medieval and Renaissance Painting in honor of Millard Meiss. 1977: 437-444.

E. Sindona. L'Opera completa di Cimabue e il monumento figurativo pregiottesco. Milan, 1975.

James H. Stubblebine. "Cimabue and Duccio in Santa Maria Novella." Pantheon, vol. XXXI (1973): 15-.

John White. Book Review: Cimabue by E. Battisti. The Art Bulletin. Vol. 52, No. 1 (March, 1970):. 96-98.

E. Battisti. Cimabue. New York, 1967.

James H. Stubblebine. "Cimabue's Frescoes of the Virgin at Assisi." The Art Bulletin. Vol. 49, No. 4 (December, 1967): 330-333.

William M. Ivins, Jr. "'But It's Not a Cimabue!'." The Metropolitan Museum of Art Bulletin. New Series, Vol. 3, No. 4 (December, 1944): 100-104.

G. H. Edgell. Book Review: Cimabue: A Critical Study by Alfred Nicholson. American Journal of Archaeology. Vol. 37, No. 2 (April-June, 1933): 360-362.

A. Nicholson. Cimabue. Princeton, 1932.

Osvald Siren. "A Madonna by Cimabue." The Burlington Magazine for Connoisseurs. Vol. 43, No. 248 (November, 1923): 204+206-208.

L. Gillet. On Cimabue. 1908. The Catholic Encyclopedia.

F. Albertini. "Memorie di molte statue e picture della cita' di Firenze." Florence, 1510. Also M. Jordan, ed., in Crowe and Cavalcaselle: Geschichte der italienischen Malerei. Leipzig, 1869-71.

Giorgio Vasari. Leben der ausgezeichnetsten Maler, Bildhauer und Baumeister von Cimabue bis zum Jahre 1567. Ludwig Schorn und Ernst Foerster, eds. Stuttgart und Tuebingen 1832-1849. Republished Worms, 1983.

Cimabue. From the Web Gallery of Art. Turn up the volume; the experts here mumble.

Cimabue. Images of his works from christusrex.org.

Giotto and Cimabue. From Smarthistory. Turn up the volume; the narrators mumble.

Six Easy Pieces. Or, "Giotto and Cimabue, Part One. A pretty good job by the otherwise anonymous "artist and educator living in NYC." No sign of Part Two.



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