LORENZO MONACO
A Brief Bibliography

Titles are listed in order of date of publication.

Angelo Tartuferi and Daniela Parenti, eds. Lorenzo Monaco: dalla tradizione giottesca al Rinascimento. Ministero per i Beni e le Attivita' Culturali - Soprintendenza Speciale per il Polo Museale Fiorentino. Florence, 2006.

Christa Gardner von Teuffel. "Lorenzo Monaco, Filippo Lippi und Filippo Brunelleschi: die Erfindung der Renaissancepala." From Duccio's Maesta' to Raphael's Transfiguration: Italian altarpieces and their settings. Collected studies by this author.

Erling S. Skaug. "Towards a reconstruction of the Santa Maria degli Angeli altarpiece of 1388: Agnolo Gaddi and Lorenzo Monaco?" Mitteilungen des Kunsthistorischen Institutes in Florenz. vol. 48, 2004(2005): 245-257.

Alessandro Cecchi. Masaccio e i pittori del suo tempo agli Uffizi. Ministero per i Beni e le Attivita' Culturali, Comitato Nazionale per le Celebrazioni del VI Centenario della nascita di Masaccio. Geneva, 2002.

George R. Bent. "A Patron for Lorenzo Monaco's Uffizi: Coronation of the Virgin." The Art Bulletin. Vol. 82 No. 2 (June, 2000):

Gaudenz Freuler. "Zum Fruehwerk des Lorenzo Monaco." The Art Bulletin. vol. 82, (2000): 348-354.

Marco Ciatti and Cecilia Frosinini, ed.s. Lorenzo Monaco: Tecnica e Restauro: L'Incoronazione della Vergine degli Uffizi, l'Annunciazione di Santa Trinita a Firenze. Florence, 1998.

Dillian Gordon. "The altar-piece [sic] by Lorenzo Monaco in the National Gallery, London." Burlington Magazine, vol. 137, no. 1112 (Nov. 1995): 723-727.

Mirella Levi D'Ancona. The illuminators and illuminations of the choir books from Santa Maria degli Angeli and Santa Maria Nuova and their documents. Florence, 1994.

Laurence B. Kanter, Barbara Drake Boehm, et al. Painting and Illumination in early Renaissance Florence. New York, 1994.

George R. Bent. "The scriptorium at S. Maria degli Angeli and fourteenth century manuscript illumination: Don Silvestro dei Gherarducci, Don Lorenzo Monaco, and Giovanni del Biondo." Zeitschrift fuer Kunstgeschichte, vol. 55, no. 4 (1992): 507-523.

Diane Finiello Zervas. "Lorenzo Monaco, Lorenzo Ghiberti, and Orsanmichele, pt. 1." Burlington Magazine. Vol. 133, no. 1064 (Nov. 1991): 748-759.

Marvin Eisenberg. Lorenzo Monaco and his workshop. Princeton, 1989.

Guy-Philippe de Montebello. "Four Prophets by Lorenzo Monaco." The Metropolitan Museum of Art Bulletin. New Series, Vol. 25, No. 4 (December, 1966): 155-169.

Luciano Bellosi. Lorenzo Monaco. Milan, 1965. Series" I Maestri del Colore.

Federico Zeri. "Investigations into the Early Period of Lorenzo Monaco: II." The Burlington Magazine. Vol. 107, No. 742 (January, 1965): 2-9+11.

Federico Zeri. "Investigations into the Early Period of Lorenzo Monaco: I." The Burlington Magazine. Vol. 106, No. 741 (December, 1964): 554-558.

Mirella Levi d'Ancona. "Bartolomeo di Fruosino." The Art Bulletin. Vol. 43, No. 2 (June, 1961): 81-97.

Mirella Levi D'Ancona. "Some new attributions to Lorenzo Monaco." The Art Bulletin, vol. 40 (1958) No. 3: 175-191.

Marvin J. Eisenberg. "An Early Altarpiece by Lorenzo Monaco." The Art Bulletin. Vol. 39, No. 1 (March, 1957): 49-52.

H. D. Gronau. "The Earliest Works of Lorenzo Monaco: I." The Burlington Magazine. Vol. 92, No. 568 (July, 1950): 183-188.

Georg Pudelko. "The Stylistic Development of Lorenzo Monaco: I." The Burlington Magazine for Connoisseurs. Vol. 73, No. 429 (December, 1938): 237-238+240-243+246-249.

Vincenzo Golzio. Lorenzo Monaco: l'unificazione della tradizione senese con la fiorentina e il gotico. Rome, 1931.

Osvald Siren. Don Lorenzo Monaco. Strassburg, 1905.

The Web Gallery of Art.

Several paintings. The National Gallery, London.

Virgin and Child Enthroned. "About 1418." National Galleries of Scotland, Edinburgh.

The Nativity. "Circa 1406-1410." Metropolitan Museum of Art, NYC.

Abraham, Noah, Moses, David. "Circa 1408-1410." Metropolitan Museum of Art, NYC.

Virgin Annunciate. Norton Simon Museum, Pasadena, California.



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