A Brief Bibliography

This page contains only new titles, exhibition catalogues, and some "classic" studies. Titles are in order by date of publication.
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David Ankele and Denise Ankele. Titian. Kindle edition, 2011.

Patricia Meilman. The Cambridge Companion to Titian. (Cambridge Companions to the History of Art). Cambridge Univ. Press, 2011.

Edgar Peters Bowron, et al. Titian and the Golden Age of Venetian Painting: Masterpieces from the National Galleries of Scotland (Museum of Fine Arts, Houston). Houston, 2010.

Anthony Colantuono. Titian, Colonna and the Renaissance Science of Procreation. (Visual Culture in Early Modernity), Ashgate Pubs., 2010.

Jodi Cranston. The Muddied Mirror: Materiality and Figuration in Titian's Later Paintings. College Station, PA. 2010.

Paul Joannides. "Titian, Giorgione and the Mystery of Paris." Artibus et Historiae, No. 61 (2010): 99—14?.

Mark Hudson. Titian: The Last Days. London, 2009.

Frederick Ilchman, et al. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Boston, 2009.

Sylvia Ferino-Pagden and Giovanna Nepi Scire. Late Titian and the Sensuality of Painting. Venice, 2008.

Peter Humfrey. Titian. London, 2007.

Joanna Woods-Marsden, ed. Titian: Materiality, Likeness, Istoria. Turnhout, Belgium. 2007.

David Rosand. "Titian Draws Himself." Artibus et Historiae. No. 59 (2009): 65-71.

Claude Phillips. The Earlier Work of Titian. 2008; also a Kindle edition.

Claude Phillips. Titian. Parkstone Press, 2008.

Beverly Louise Brown. "Corroborative Detail: Titian's Christ and the Adulteress." Artibus et Historiae. No. 56 (2007): 73-105.

Maria Loh. Titian Remade: Repetition and the Transformation of Early Modern Italian Art. Malibu, 2007.

Aneta Georgievska-Shine. "Titian, Europa, and the Seal of the Poesie." Artibus et Historiae. No. 56 (2007): 177-185.

Filippo Pedrocco. "Titian's Ecce Homo Reconsidered." Artibus et Historiae. No. 56 (2007): 187-196.

Bellini, Giorgione, Titian and the Renaissance of Venetian painting. David Alan Brown and Sylvia Ferino-Pagden, eds. Exhib. catalogue, National Gallery of Art. New Haven, 2006.
Book Review: Joanna Woods-Marsden. Renaissance Quarterly. Vol. LX, no. 2, (Summer, 2007): 547-549.

Giovanna Rocchi. Titien: Le Pouvoir en Face (Titian: The Power of the Face). Luxembourg, 2006.

Peter Humfrey, Timothy Clifford, et al. Age of Titian: Venetian Renaissance Art from Scottish Collections. National Galleries Of Scotland, 2006.

Norbert Wolf. I, Titian. London, 2006.

Una Roman D'Elia. The Poetics of Titian's Religious Paintings. Cambridge University Press, 2005.
Book Review: Alejandra Gimenez-Berger. Renaissance Quarterly. Vol. LXI, no. 3 (Fall, 2008): 891-892.

Thomas Puttfarken. Titian and Tragic Painting: Aristotle's "Poetics" and the Rise of the Modern Artist. New Haven, 2005.
Book Review: David Rosand. Renaissance Quarterly. Vol. LX, no. 2 (Summer, 2006): 509-511.

Charles Hope, et al. Titian. London, 2004.

James Lawson. "Titian's Diana Pictures: The Passing of an Epoch." Artibus et Historiae. No. 49 (2004): 49-63.

Patricia Meilman, ed. The Cambridge Companion to Titian. Cambridge University Press, 2004.
Book Review: Joanna Woods Marsden. Renaissance Quarterly. Vol. LVIII, no. 1 (Spring, 2005): 203-204.

Leonello Puppi. Zu Tiziano. Milan, 2004.
Book Review: Tracy E. Cooper. Renaissance Quarterly. Vol. LVIII, no. 1 (Spring, 2005): 205-206.

Rona Goffen. Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian.. New Haven, 2002.
Book Review: Michael Burt. The Burlington Magazine. 145 (2003): 589.
Book Review: William R. Rearick. Studi tizianeschi. 1 (2003): 25.
Book Review: Marcia B. Hall. Renaissance Quarterly. Vol. LVII, no. 1 (Spring, 2004): 200-201.
Book Review: Christine Tauber. Zeitschrift fuer Kunstgeschichte. 67 (2004): 435-439.

Paul Joannides. Titian to 1518: The Assumption of Genius. New Haven, 2002.

Filippo Pedrocco. Titian. Rome, 2001.

Bruce Cole. Titian And Venetian Painting, 1450-1590. Boulder, Colorado. 2000.

Patricia Meilman. Titian and the Altarpiece in Renaissance Venice. Cambridge Univ. Press, 2000.

Federico Zeri and Marco Dolcetta. Titian. 2000.

Jozef Grabski. "Victoria Amoris": Titian's Venus of Urbino. A Commemorative Allegory of Marital Love." Artibus et Historiae, No. 40 (1999): 9-33.

Marianne Koos. "Titian’s women, Giorgione’s men?" Kritische Berichte. 26 (1998) 2: 63-72.

Rona Goffen. Titian's Women. New Haven, 1997.
Book Review: Gabriele Neher. The Burlington Magazine. 140 (1998): 563-564.

Rona Goffen. Titian's "Venus of Urbino". Cambridge and New York City, 1997.

W. R. Rearick. "Titian's Later Mythologies." Artibus et Historiae. No. 33 (1996): 23-67.

Carlo Ridolfi. The Life of Titian. Pennsylvania State Univ. Press, 1996.

Luba Freedman. Titian's Portraits Through Aretino's Lens. Pennsylvania State Univ Press, 1995.

Rona Goffen. "The problematic patronage of Titian’s Venus of Urbino." The Journal of Medieval and Renaissance studies. 24 (1994): 301-321.

Joseph Manca. Titian 500. Washington, National Gallery of Art, 1994.

David Rosand. "Titian's Saint Sebastians." Artibus et Historiae. No. 30 (1994): 23-39.

Patricia Meilman, ed. The Cambridge Companion to Titian. Cambridge, UK, 1994.

Rona Goffen. "Titian’s sacred and profane love and marriage: individuality and sexuality in a Renaissance marriage picture." Studies in the history of art. 45 (1993): 121-144.

Paris, Grand Palais. Le Siecle de Titien: l'age d'or de la peinture a Venise. Paris, 1993.

W. R. Rearick. "Titian Drawings: A Progress Report." Artibus et Historiae. No. 23 (1991): 9-37.

Susanna Biadene, ed. Titian: Prince of Painters. Munich, 1990.

Rona Goffen. Piety and Patronage in Renaissance Venice: Bellini, Titian, and the Franciscans. New Haven, 1990.
Book Review: Servus Gieben. Collectanea Franciscana. 58 (1988): 449-450.
Book Review: Benjamin Kohl. The Sixteenth Century Journal. 18 (1987): 268.
Book Review: Edward Muir. Renaissance Quarterly. 40 (1987): 331-334.

Cecil Gould. "The Earliest Dated Titian?" Artibus et Historiae, No. 13 (1986): 67-71.

W. R. Rearick. "Observation on the Venetian Cinquecento in the Light of the Royal Academy Exhibition." Artibus et Historiae, No. 9 (1984): 59-75.

The Genius of Venice. Exhibition catalogue, Royal Academy of Art, London, 1983/84. Titian is one of many artists profiled in this landmark exhibition.

Sarah Wilk [Sarah Blake McHam]. "Titian's Paduan Experience and Its Influence on His Style." The Art Bulletin. Vol. LXV, no. 1 (March, 1983): 51-60.

Johannes Wilde. Venetian art from Bellini to Titian. Oxford, 1974.

Erwin Panofsky. Problems in Titian, Mostly Iconographic. New York, 1969.

John Walker. Bellini and Titian at Ferrara. New York, 1956.

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