VASARI'S LIFE OF ANDREA DEL VERROCCHIO
Lady with a Bunch of Flowers. Circa 1475.
Museo Nazionale del Bargello, Florence

ANDREA DEL VERROCCHIO
A Brief Bibliography

Titles are listed in order by date of publication.

Luke Syson and Jill Dunkerton. "Andrea del Verrocchio's first surviving panel painting and other early works." The Burlington Magazine. Vol. 153, no. 1299 (June, 2011): [not given]

Dario A. Covi. Andrea del Verrocchio: life and work. Florence, Olschki, 2005.

Gary M. Radke, ed. Verrocchio's David Restored: A Renaissance Bronze from the National Museum of the Bargello, Florence. Atlanta, High Museum of Art, 2004.

Beatrice Paolozzi Strozzi. Il David del Verrocchio: un capolavoro dopo il restauro = Verrocchio's David: a masterpiece restored. Florence, Giunti, 2004.

Stephen J. Milner. "The politics of patronage: Verrocchio, Pollaiuolo, and the Forteguerri monument." In: Artistic exchange and cultural translation in the Italian Renaissance city. Stephen J. Campbell, ed. 2004: 221-245.

Gigetta Dalli Regoli, and Laura Angelucci and Roberta Serra. Verrocchio, Lorenzo di Credi, Francesco di Simone Ferrucci. Louvre, Galleria del Disegno 2003.

David Alan Brown, ed. Virtue & Beauty. Washington, D. C., 2001.

Andrew Butterfield. "Verrocchio and the bronze statuette." In: Small bronzes in the Renaissance. Debra Pincus, ed., 2001. Studies in the history of art, no. 62, 2001: 71-81.

Maria Grazia Vaccari, ed. Pollaiolo e Verrocchio? Due ritratti fiorentini del Quattrocento. Florence, Museo Nazionale del Bargello, 2001.

Liletta Fornasari, et al. Verrocchio e l'atelier del Rinascimento. Florence, Pagliai, 2001.

Francesco Caglioti. Donatello e i Medici: storia del David e della Giuditta. Florence, Olschki, 2000.

Dietrich Erben. "La statua equestre di Bartolomeo Colleoni a Venezia." In: La figura e l'opera di Bartolomeo Colleoni. 2 vols. 2000. - (Bergomum, no. 95, 2000,1/2): 161-182.

Richard David Serros. "The Verrocchio workshop: techniques, production, and influences." Ph.D. diss., UC Santa Barbara, 1999.

Andrew Butterfield. The sculptures of Andrea del Verrocchio. New Haven, 1997.
Book Review: Geraldine A. Johnson. The Art Bulletin. Vol. LXXXIV, no. 3 (September, 2002): 526-528,

Steven Bule, Alan Phipps Darr, et al, eds. Verrocchio and late Quattrocento Italian Sculpture. Florence, 1992.

Loretta Dolcini, ed. Verrocchio's Christ and St. Thomas: a masterpiece of sculpture from Renaissance Florence. New York, 1992.

Piereo Adorno. Il Verrocchio: Nuove proposte nella civilta' artistica del tempo di Lorenzo il Magnifico. EDAM, 1991.

Dario Covi. "Verrocchio and Venice 1469." The Art Bulletin. vol. LXV, no 2 (June, 1983): 253-273.

Charles Seymour. The sculpture of Verrocchio. London, 1971.

Gunter Passavant. Verrocchio: sculptures, paintings, and drawings. London, New York, 1969.

Kenneth Clark. Leonardo da Vinci. London, 1939; revised eds. 1959; 1967; 1988.

Catholic Encyclopedia. 1912. Author: Gaston Sortais.

Maud Cruttwell. Verrocchio. London and New York, 1904.

Web Gallery of Art.

Andrea del Verrocchio Online.

Verrocchio's David Restored. From the High Museum of Art, Atlanta. Superb Web site from the exhibition.

Equestrian Monument of Bartolommeo Colleoni, Campo dei Santi Giovanni e Paolo [Venice]. Photos and site by Mary Ann Sullivan of Bluffton University.

Christ and St. Thomas (or Doubting of Thomas), Orsanmichele. Photos and site by Mary Ann Sullivan of Bluffton University.



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