Lady with a Bunch of Flowers. Circa 1475. Museo Nazionale del Bargello, Florence
ANDREA DEL VERROCCHIO
A Brief Bibliography
Titles are listed in order by date of publication.
- Recent studies:
Luke Syson and Jill Dunkerton. "Andrea del Verrocchio's first surviving panel painting and other early works." The Burlington Magazine. Vol. 153, no. 1299 (June, 2011): [not given]
Dario A. Covi. Andrea del Verrocchio: life and work. Florence, Olschki, 2005.
Gary M. Radke, ed. Verrocchio's David Restored: A Renaissance Bronze from the National Museum of the Bargello, Florence. Atlanta, High Museum of Art, 2004.
Beatrice Paolozzi Strozzi. Il David del Verrocchio: un capolavoro dopo il restauro = Verrocchio's David: a masterpiece restored. Florence, Giunti, 2004.
Stephen J. Milner. "The politics of patronage: Verrocchio, Pollaiuolo, and the Forteguerri monument." In: Artistic exchange and cultural translation in the Italian Renaissance city. Stephen J. Campbell, ed. 2004: 221-245.
Gigetta Dalli Regoli, and Laura Angelucci and Roberta Serra. Verrocchio, Lorenzo di Credi, Francesco di Simone Ferrucci. Louvre, Galleria del Disegno 2003.
David Alan Brown, ed. Virtue & Beauty. Washington, D. C., 2001.
Andrew Butterfield. "Verrocchio and the bronze statuette." In: Small bronzes in the Renaissance. Debra Pincus, ed., 2001. Studies in the history of art, no. 62, 2001: 71-81.
Maria Grazia Vaccari, ed. Pollaiolo e Verrocchio? Due ritratti fiorentini del Quattrocento. Florence, Museo Nazionale del Bargello, 2001.
Liletta Fornasari, et al. Verrocchio e l'atelier del Rinascimento. Florence, Pagliai, 2001.
Francesco Caglioti. Donatello e i Medici: storia del David e della Giuditta. Florence, Olschki, 2000.
Dietrich Erben. "La statua equestre di Bartolomeo Colleoni a Venezia." In: La figura e l'opera di Bartolomeo Colleoni. 2 vols. 2000. - (Bergomum, no. 95, 2000,1/2): 161-182.
Richard David Serros. "The Verrocchio workshop: techniques, production, and influences." Ph.D. diss., UC Santa Barbara, 1999.
Andrew Butterfield. The sculptures of Andrea del Verrocchio. New Haven, 1997.
Book Review: Geraldine A. Johnson. The Art Bulletin. Vol. LXXXIV, no. 3 (September, 2002): 526-528,Steven Bule, Alan Phipps Darr, et al, eds. Verrocchio and late Quattrocento Italian Sculpture. Florence, 1992.
Loretta Dolcini, ed. Verrocchio's Christ and St. Thomas: a masterpiece of sculpture from Renaissance Florence. New York, 1992.
Piereo Adorno. Il Verrocchio: Nuove proposte nella civilta' artistica del tempo di Lorenzo il Magnifico. EDAM, 1991.
- Classic and general studies:
Dario Covi. "Verrocchio and Venice 1469." The Art Bulletin. vol. LXV, no 2 (June, 1983): 253-273.
Charles Seymour. The sculpture of Verrocchio. London, 1971.
Gunter Passavant. Verrocchio: sculptures, paintings, and drawings. London, New York, 1969.
Kenneth Clark. Leonardo da Vinci. London, 1939; revised eds. 1959; 1967; 1988.
Catholic Encyclopedia. 1912. Author: Gaston Sortais.
Maud Cruttwell. Verrocchio. London and New York, 1904.
- Some Web Sites
Verrocchio's David Restored. From the High Museum of Art, Atlanta. Superb Web site from the exhibition.
Equestrian Monument of Bartolommeo Colleoni, Campo dei Santi Giovanni e Paolo [Venice]. Photos and site by Mary Ann Sullivan of Bluffton University.
Christ and St. Thomas (or Doubting of Thomas), Orsanmichele. Photos and site by Mary Ann Sullivan of Bluffton University.
