Friendly Money
Looking back on my life, my personal contact with earning money and
spending it always presented me with an economic drama which radiated
friendliness. Except for the three years I spent being feminine, I have known
a world that mostly grits it's teeth in grim tolerance of me unless somehow
money gets involved. I mistrust the depth of the friendliness but the warmth
has really touched me anyway toward a bias to admire what I call the device
of money. It is the magic music which can lift for a time the fog of bigotry
and self-pity that often seems to rule my otherwise alienated local
society. I have heard that money is the root of all evil but I have never
seen it. In fact, quite the opposite, money looks like the root of
everyone's life hope, of finding a happy place in the dance of humanity.
Significantly I don't recognize a form of shared money or unowned money.
I think of food in the belly as equal to food on the way to the belly. I
also need my associates to define their psychic sensitivities in courageous
and unambiguous terms, such as private property, instead of isolating
themselves or going ballistic after accidentally inviting my offense or
rationalizing gross neglect in order to avoid both.
I have seen again and again evidence that sovereignty must be honored to
get anyone to be kind and generous with me in a reliable way, even someone
who overtly denies the concept. In my life money in limbo draws enormous
attention and becomes the focus of a catfight until effective possession
resolves on somebody. I see money as an inescapable aspect of individuality.
While I was feminine I was unable to focus on pure mechanical relation
that way without getting estranged from everybody else and seriously
depressed, so I gave everything only symbolic significance in my life.
Perusing a meal was like doing a dream interpretation. All mechanical
devices and effects became magic in my image of my life. Money was no
longer a device; it became a gesture, a symbol of command that often seemed
self-propelled in a sinister way.
I lost, for that time, an ability to perceive the boundary between my
own motivations and those of everybody else, so the term "the economy" no
longer had a useful meaning. I took on the look of apparent stupidity and
startling competence that I've been baffled by in women all my life. I had
no perception of technical worth of anything, only technical effect, so my
spirit couldn't be captured by advertising, only my attention.
I think this perspective is the root of the media presentation of
money, especially advertising. My belief is that nearly all purchasing is
initiated by people for whom their feelings are their identity, what I call
being feminine. But I find the symbolic view of money quite bogus. The
reason to stand back from a bottle rocket has nothing to do with magic or
symbolism if I'm looking at functional definitions of things. I call money
an accounting device.
I really don't like symbolic or expressive use of money. That I can
recall, it always feels quite sinister. The feeling strikes me just as
strong even if the clear intent seems to be a gift meant kindly. I have a
bad feeling about what I call the general industrial nightmare, and
especially an invitation to participate without direct conscious awareness
of the real cost, both in effort and in the decisions about what will be
lost or compromised. Ideally I avoid even trade, to preserve a more direct
contact with the true nature of my avarice.
I believe that money has become a symbol of something bad due to it's
use as a symbol. All my life I have seen struggle with people who decide to
use trade involvement for badhearted expression through scapegoating, theft,
revenge, escape from spiritual awareness, the possibilities of confusing
people with accounting complexity, and pretending friendship to close a
deal. In my current life money is pretty absent and in this absense of money
the same badheartedness gets expressed through other means to the same
degree as I've ever seen in my life when money played a bigger part. Having
money directly present has been a very useful handle for assessing the
emotional risks involved with a new friend or with the public.
My image of my parents carries, most strikingly, the memory of the
shortcomings in their maturity rather than an appreciation for the
origination and massive running start that they both gave to my life. I
think that money gets scapegoated like that, condemned for being worthless
in some ways, like a fork when I'm desperately looking for a flashlight.
After I finished putting my current home together my car sat out in front
on the street for about three years, registered and insured and almost never
driven anywhere. I am hugely sentimental about it, and marvel at it's
machinery that I tinkered with so much back when I really had a use for it.
I gave it an honored place in the backyard. I start the engine and turn on
the antique tape deck every six months or so. Sometimes I even drive it
around the yard. I imagine countless other people have this same dilemma
about the device of money in their life. They used to have a place for it
and now must force fit a place for it so that the sentimentality that really
rules their life can be satisfied.
Money also looks to me like the main subject of politics, thereby
getting it's name used in vain a lot. My personal wrestle with finding a
sane relation to money has inevitably involved settling a sane relation to
what I call political pressure.
I regard politics as a big scale form of childcare in which nearly all
Citizens are unable to genuinely comprehend the mechanics involved. This,
in my experience of childcare work, makes successful management possible
only if those Citizens who get irrationally hysterical, from their own
confusion, are bullied or deceived into being harmless to the social
structure on which they are dependent.
I noticed in my youth that this necessary lying and bullying made me
even more hysterical and thus more an object of it. I deliberately arranged
my life to have minimal emotional and technical dependence on agreements
between strangers in any form; that is, I distanced myself from any need for
political relating. My hope was that if I became hysterical in any situation
I would get evicted by those who had responsibility there, instead of being
lied to or bullied out of a need to protect the social order.
I've given my own hysteria a lot of study. More than all other concerns,
I want to be what for me is a kind and interesting person; mostly because I
have to be a companion to myself 24 hours a day, but also because I've
noticed that if I'm hysterical in any sense I'm far more accident prone, I
get the flu, I forget my dinner's cooking and I can't sing on key at all.
Being hysterical feels thus like the worst of all possible trouble.
Coping by preventing interpersonal reflection through lonely isolation or
a drugged condition or a continual dose of hypnotic economic activity has
failed me. Hysteria wrecks my life whether I see it happening or not so
I've taken the matter the opposite direction. The political policy I've
settled on is to maximize voluntary sharing of the politically volatile
stuff in my personal life and minimize pushing anyone else to be consciously
involved, especially people I don't know. Thus I keep a fairly friendly and
steady mirror of my ego expression among people who will encourage me to
think about what I see and make sense of it.
As a result of this I've evolved into becoming a sovereign Citizen, and
also what I call a Tory. I recognize only myself as the sovereign of the
story of my life and I can live fine with the King or the bloated U.S.
government or even the Mafia. They are to me like the King of beasts,
leaders out of predatory punch and a proper part of my natural world, but
not a model for me to aspire to or a society for me to share my heart with.
I don't see myself as a jungle leader. I make my self expression in that
limited arena that I observe no senseless squabble for; making an overt
grant of all the rest to everybody else, particularly my friends and
associates; a sovereign Citizen living outside of commerce by all
definitions. I don't carry a conviction of having inalienable or civil
rights that I am owed through Divine rule or the Constitution or business
contracts.
My Land Patent declares my sentimental attachment to an amazing gift from
my violent heritage, not my intent to continue that tradition of violence. I
accept the gift but I will not fight to keep it if the thugs that sold it to
me return to take it back.
I really don't emotionally need a hill to be king of. I need a hill which
I am permitted on at all, without the compromise of being compelled, by
traditional escapism and traditional loyalty to belligerents, to get confused
and lose sight of myself.
Money has evolved in my imagination into being a very reliable and easy
symbolic handle for labeling potential causes of hysteria. In my life the
potential friendliness of money has warned of an equal and opposite
potential strife, either out of managerial bad luck or from the subtler but
more depressing loss from something sentimental being assigned a brutal role
in a practical effort. Well organized and in it's proper sphere of influence
I embrace the use of money with a whole heart, but where I see it show
randomly I get real wary.
Exchanges and contracts and even the amassing of great wealth have caused
me much less unnecessary heartache in my personal relationships than the
simple handling of money. I believe this is solely because my recognition of
a cash value poisons my own sentimental feelings about the object of
valuation, rendering it much less meaningful to me. I imagine this
happening to everyone else too. Feelings of meaning are the root of all my
life initiative. I lose a little bit of spunk with every random cash
valuation of something I haven't commercialized yet in my own imagination.
If I get concerned about efficiency in work or use of resources, the
pondering involves cash valuations, even without money in the matter. I
enthusiastically embrace a money approach where it promises to be a real
answer to my worry. Generally I get worried this way related to any interest
in which my experience is harsh or lonely or dangerous and my drive is coming
out of my feeling a desperate need for the result.
Thus the absense of money issues looks to me like an excellent tracer of
my true heartsong, what I think of as my nobility, and the presence of money
issues defines for me my 'beast' or commercial aspect.
Trying to use the same labels in getting to know other people has been,
for me, pretty messy or even worthless, due to huge differences in values.
Nearly everyone I've met in my life gives noble reference to what I call
their beast aspect, and lives with what for me would be a quite bewildering
amount of focus on goals, or recovery from losses and fatigue. And, to many
of them, I look focused that way, in a manner that they abhor.
Almost all my meetings with others occur in what they appear to believe
is neutral territory, where I can easily minimize feeling reflection, by
keeping the place out of my personal dreamworld, and so can they. I
cooperate with this for their sake and unabtrusively make the territory
sacred to me through including it in my timeless time, so that their presense
will offer me reflection of my dramatic presense. Since as a proprietor I
would feel disrespected by a timeless person hanging out at my business (and
occassionally I get thrown out) I try to stay in public space or at
somebody's home. While many people have expressed to me objection to any
adult being timeless anywhere, I can generally cooperate with some kind of
stereotypable image that excuses me, such as pathetic homelessness or
shopping or waiting for something. Thus a money issue can be used as a
disquise. Having used them a lot for that I tend to doubt their reality in
the lives of others and occasionally get in serious hot water over my lack
of empathy. Largely due to this sort of needless heartache I tend to stay on
or near my own property where nearly everyone can accept my timelessness
undiquised, regardless of their values.
What looks to me to be the biggest clash of values relates to what I
call theft, using the word in the broadest possible sense of taking
possession of something of cash value in a manner that disrespects someone
else. Women especially fuel this sort of disaster due to their complete
disinterest in the structure of anything, making them easy unconscious
advocates of the massive robbery of the common resources of the earth and
of the goodhearted stockpiles created by other people; and the enslaving of
everyone's timeless time.
As a child I was forced, by my youthful incompetence, to survive by
robbing my parents. They expressed nonverbally some fairly obvious illwill
about this but I had to somehow rationalize my robbery because I saw no way
around being thus a leech. Intellectually I gave importance to the ways in
which they were in fact leeching off the society around them and the natural
world. This I assessed as the law of the jungle. I decided that my
responsibility was limited by biology to be no more than some realistic
minimizing of my loading of my local system, and to the restriction of
taking only what no-one else held in a sentimental way.
All the women and most of the men I've discussed this with have instead
redefined theft more narrowly to be only a taking for which they could be
arrested. Even many of those who really feel and cry about the big scale
effects of the industrial machinery will still maximize their part in some
form of pillaging. I have the impression that by rationalizing the robbery of
their parents the majority of people have established a self-concept that
includes being limitlessly disrespectful of other people's assets and numb to
the pain they cause. I'm thinking of, for example, the evolution of a police
system that enforces the public will using fines instead of seduction or
bullying, and the widespread acceptance of hiring services for a fee instead
of presuming that service should always be a genuine gift inspired by
recognition of the nobility and permanent social relationship of the server.
Nearly all my roommates have been a challenge this way. In discussion the
motive for theft always emerges related to hurt feelings involving nothing
economic. Oddly being actually ripped off doesn't seem to inspire a financial
revenge. The hurt feelings are generally a clear case of innocent stupidity
on the part of whoever created the first illwill, often just with semantics.
These kind of feelings inspire most of the material I've read rationalizing
sovereign Citizenship, evoking a lot of disgust for the concept on the part
of those who disagree.
I am often offerred money for service that I'm expected to perform on
demand under conditions of gross disrespect. I have many skills that inspire
this. I can do all sorts of building repair and construction, do car, bicycle
and appliance repair, provide housing and storage, write computer programs,
and lead cleanup work of all sorts. If I refuse the offer I am always hated.
Oddly, if I accept and answer the need I am hated even more. If I refuse
and then answer the need I confuse everybody involved but I am appreciated
and am granted a place of honor in their lives. When I've mixed honest work
and collecting money to pay expenses with the service effort the result has
been friendly when with a friendly person and nasty when with someone
carrying an unrelated grudge. I've decided that confusion is the root of all
evil.
And, along with a lot of other people, I've decided that evil is any
expression of disinterest in spiritual awareness, which I call escapsim.
This is what I believe is behind the war on spiritually educational drugs.
I define a drug that way if it puts a person on the boundary of where their
conscious spiritual awareness can go. Nearly everyone I've seen do that has
taken on the look of spiritual disinterest, due, I presume, to being hit
with too much new awareness at once. Once they're back to normal though
they're psyched to try again anyway.
That look of being overwhelmed by life awareness has drawn me some major
bad vibes. I only took acid once and ate a marijuana brownie once and under
totally tame conditions so all of my experience with the anti-drug harshness
has been while under the influence of deliberate spiritual focus. I have no
interest in drug induced awareness because I find it so much easier to ride
the intensity if I'm in direct control of it and I'm much more able to learn
from the events. Ironically, when I've explored spiritual awareness in the
realm of constructive activity, such as honest work or conversation or
theatre production, I'm often the only one not using a (legal) mood altering
drug or media device, and I get too overwhelmed by uncontrolled awareness and
have to exit. To cope with this I use the sedative effect of eating a large
meal just before I enter the scene. This problem of required drug use has
forced me into a lifestyle of minimal employment and minimal social events,
for which I am often chastised as a copout.
From the economy I seek food, shelter and experimental apparatus. Any use
on my part beyond that feels like a mistake, compromising my feeling of
meaningfulness, so beyond that I am a copout from the economy. To the economy
I have decided I owe a deliberate effort to increase the ego expression of
some specific other people whose art I can sincerely admire at least somewhat.
I have decided to assess the value of this at $12 an hour for dangerous or
high stress work and $10 an hour for all other work. I declare to myself that
the money I get is an overt honoring of my contribution by someone else. If I
determine that the honoring is a lie, or the art I am promoting with my work
shows a sinister aspect, then I refuse further work.
The copout problem is still unresolved. To me it is actually part of the
larger question of determining the meaning and purpose of my life. I need to
have a contented life involving some kind of majestic artistic sharing for
me to feel that my life is meaningful and I define the purpose of my life to
be to know myself.
The word art I use a little differently than my dictionary defines it. To
the dictionary, and maybe to many people, art is anything not made by nature.
To me art is any object or gesture which, for the beholder, is endowed with
emotion, which conveys emotion. A pebble from a giant beach becomes art after
a long walk carrying it, tossing it back and forth. Once three friends and I
noted three stars alone on the horizon that formed a giant birdlike 'v', and
in our banter it became art to me. Contrarywise, almost nothing at the auto
parts store strikes me as art. For me art must have some component of
experience that it at least appears to communicate. A spark plug fails
somehow, it lacks intent, or it's function is so much more noticable. I
call it a technical wonder instead of art.
Significantly actual coins and bills meet my definition of art, whereas
a postal money order doesn't. A silver ingot fails but some of the one ounce
silver medallions are quite touching. So I propose that the paper money is
not a con game, but actually a form of honest limited edition collectable
art intended to be used for trade. I think it a much better trade unit than
heavy commodities such as metals or uncontrolled collectable art such as
postage stamps, though not as stable in value and ideal as gold and silver
certificates.
Apparently what happened to the hugely successful use of certificates
in America was that the U.S. government, in 1913, got desperate to borrow
money, perhaps for World War One, and was unable to get any buyers for the
interest promising Treasury Bills that it sells to raise money. So some
bankers made an offer. In exchange for the following the bankers agreed to
buy the Bills:
-- Permission to form an illegal monopoly form of trust guarantying that
most U.S. government borrowing would be from them.
-- The signing over as collateral all real estate held directly by the U.S.
corporate government or any property in the U.S. for which all interest
has been formally released and not yet formally claimed by the party
released to.
-- The declaration that everyone with a federally recognized U.S. birth
certificate would be beneficiary and obligor to the contract.
The bankers agreed to buy on demand any amount of Treasury Bills using
certificates printed by the Treasury but issued and designed by the bankers.
The Certificates were titled "Federal Reserve Note" but they also stated a
promise to pay on demand in gold or silver. In 1934 the wording was changed
to add that the money was "legal tender for all debts". Based on this
contract I decided to formally deny my birth certificate with a County
affidavit and secure a Land Patent on my home.
In 1963 the promise to pay was dropped. This was the year that John F.
Kennedy somehow got legislation passed that allowed the Treasury to print
collectable art money to be issued directly by the Government; interest free
fiat money, taxation by inflation. That I know of that was tried two times
before, in 1776 and 1863, both times to finance a war. The first time the
government didn't yet have the power to tax so, with no promise of
government recognized value, the money got devalued to near zero inside of
a few months and got abandoned. The second time, Abraham Lincoln pushed it
through. He was shot and the scheme abandoned in favor of regular cash loans
from the European Banks. I see a cause and effect there. Kennedy also got
shot. This time the fiat, collectable art money was cheerfully issued, but
by the Federal Reserve Bank, in trade for Treasury Bills as always. I
believe that the Federal Reserve Bank has been unable to back their new
issues since way back, but after 1963 they made no more pretense.
"One U.S. dollar" is legally defined in the Gold Reserve Act of 1934 as
one troy ounce of silver or 1/35th of an ounce of gold. The Reserve Notes say
that they are dollars, but six "dollars" worth of them are required to buy a
one ounce piece of silver. I believe they are collectable art.
The value of trade art seems shady to me because the market can make it
vary so capriciously and, like a computer program, the market value appears
to have no relation to honest efort. Also Art antiques over time, eventually
dropping out of circulation when its market value becomes much greater than
its casual trade value, or it suddenly drops in value if the producer adds a
new batch of identical art. Money art gets a more stable value through a
government declaration of value for payments to the government, maintained
against antiquing by adding identical new copies to the market and freely
exchanging old for new.
If the federal government declared Star Trek trading cards to all be
worth $1.00 each in payment of taxes, and unauthorized reprinting to be a
felony, there would be a huge outcry about the unfair windfall to the
company that has the copyright. The Federal Reserve does look to me like a
bad-hearted con. But I'm not at all sure that there really is such a thing
as a good-hearted mortgage. I don't see any saints in the picture to defend.
The dilution factor with money lacks real control due to avarice on the
part of the everyone involved in national politics, in and out of the
government. Everyone seems to want the U.S. government to sell more Treasury
Bills for more of the fiat money, so every year there's more of it. A lot of
sovereign Citizens think the Federal Reserve Bank people force this, but the
debate in Congress seems sincere to me. I'm almost the only one I know who
isn't in debt, stressed about it, and quick to jump at any chance to borrow
more. I don't see an international banker conspiracy, I think this is
majority rule. The lawful money of America has all been spent so the modern
currency is regulated collectable art, sold to the Federal Government for a
promise from the U.S. Treasury to pay for the art, plus interest, some day,
with "lawful money". Lawful money still means gold and silver.
But I'm up to the market challenge this mortgage presents. Dilution is
routine in the whole art market. Seriously intense copyright enforcement
keeps independent agents from diluting the market with even vaguely similiar
copies of money. Every art producer seeks to supply as much of each of
their items as the market will offer a good price for. I consider every
trade item to be a gift of the market, not an inalienable right. I paid $300
for my car in 1986 and that's probably its current value, but no-one would
argue that I deserve to have the universe preserve that value. Its just the
luck of the market. Investing in a new computer is a major disaster
financially but nobody is getting self-righteous about it.
I think the same of the art dollars. It would be possible and probably a
real good idea for the federal government to legislate a limit on dilution
printing of the art dollars but it makes more sense to me to suggest that the
offerring of credit using anyone else's product, such as art dollars, is a
bad idea unless the interest rate is very high and the term short as with a
pawn shop deal. I think the U.S. government has done real good at keeping a
fairly stable product value. Also I see little difficulty in using regular
unregulated collectable art for savings. The value always goes up as long as
there's no damage, compensating for dealer markup, and converting to dollars
is generally no hassle.
I like silver medallions myself, because they're indestructable as well
as artistic. Their actual value stays the same though so converting back and
forth is a loss. Some sovereign Citizens like to use them for trade units, I
think because they're so indisputably worth something and yet they still
have the collectable art look of regular money. Oddly the lawful money
dollars that were made out of silver have antiqued to quite a high price, so
they really were collectable art as much as the Federal Reserve Note.
I wonder though about all this accounting complexity having been left
out of my high school education. I think that a high school diploma should
include a look at this material, and perhaps the essentials of real life
maintenance such as building wiring and a guided hit of LSD or mushrooms, to
reduce voter hysteria and hypocracy.
The false friendship that business inspires in a lot of people has
caused me considerable heartache. By the word friend I mean someone who I
can casually share territory with. I am very easily fooled by a pretense of
it and I end up sentimental about people who really don't appreciate me at
all in a human way. What someone intends to express towards people in
general I take personally.
Even the generosity of otherwise personal associates often spooks me
this way. This has been a major incentive for not being a consumer, or even
being dependent in a more direct way. For this reason I have caring and
dependence completely divorced in my dreamworld; someone's deliberate intent
to care about me personally at their own expense, through effort or a gift,
generally fails to touch my feelings in a positive way, unless, in my eyes
the giver is radiant with inspired energy. Otherwise I presume the giver
either coerced by misfortune or intending to purchase the coercion of me,
either way a sad story.
The giving of money strikes me as the purest form of this; a gift
completely devoid of personal artistry or style, entirely at the expense of
the giver. Likewise someone expressing their appreciation of a business
deal, through a thank you note or a fond remark while drunk, actually
thwarts my ability to establish real mutual comprehension and trust in the
sharing of territory, by confusing me about their dreamworld. So whether
money is the gift or money is the motive I take it as an overt warning to
keep a formal distance. In this way money can offer me a benefit in getting
to know people more safely.
I also take a money gift as a mockery of my satisfaction with my
economic life and a mockery of my wish to walk softly on the earth, so I
call this a religious problem. I really want to know myself so I get to
feeling hurt over this sometimes when I've become the object of unanimous
ridicule by a group of women over this.
I observe that women in groups invariably unintentionally promote what
I call confusion and poverty, generally using words and money, and enlist
men as allies for technical assistance. I define confusion as the need for
greater wisdom and poverty as the need for more wealth. The wish for both
feels harmless and natural to me and an amazing source of art but, converted
into need through white lies and borrowing, I see confusion and poverty
inspiring a torrent of bitterness and self-pity.
In myself I cope with this chaos through embracing solitary apparently
real drama to upstage the corrupt shared drama. Significantly corruption
has shown me most of what passes as my wisdom and isolation makes work
extemely efficient. This is what I define as religion. I see no harm in
this as long as it stays solitary. Shared it invariably creates more
corruption and bizarre estrangement, so in reaching out again I leave it
behind.
The purpose that inspired me to get a house and a bunch of roommates
was to create a place where anyone could actually completely settle their
sense of need and make their life into art. Almost all the men who have
lived at the house have enthusiastically embraced the opportunity, though
many have also been major saboteurs of it through expressions of bitterness
and self-pity. Fortunately men never sabotage this way in deliberate
psychically powerful groups. They are always heedless victoms of tradition
or false friendship. They act alone and if they overwhelm my effort to
reason about it I throw them out.
For me the most striking side effect of life being art has been the
emergence of dreaming as a deliberate art. Apparently the wish for wisdom
and wealth arises out of a wish for dream material and I see a little go a
long way. Robin Williams made a movie called What Dreams May Come that
illustrates what I refer to. In the movie, the period between lives
involves interactive dreaming in a more overt form than occurs while alive
and has the more obvious possibility of running out of material, requiring
the players to return to regular life as new people in order to recharge the
story, much as what compells me out of bed in the morning.
In the movie the two main players were a shock to me as their new
identities in a new life. I get very used to how someone else is. This has
proved equally important to others, that I maintain as fixed an identity as
possible, but every morning the question reopens in my imagination, who or
what shall I be?
When I reached the limit of my period of being feminine I was living
alone in the woods on the edge of my town with a very simple campsite that
I entered only to cook or sleep. Without a drama of other people and
without any noticable practical needs, my need for an identity subsided.
This I found to be very good for establishing a new one unhurried and with
little or no defensive focus, definitely closer to my idea of art. I am
convinced that almost anyone could benefit from a rebuilding of their self
image without the naivete of childhood.
A self-realized fellow in my town strikes me as being different than
other people in solely this way, that he has granted to himself, with total
sincerity, the option to take on any identity or character in the human
repertoire. I believe the feeling of freedom is real, visible in his
countenance even when he's disqusted or indifferent. There appears to be no
particle of apology to himself in his being. Even though I don't
particularly like his stylistic choices of ego expression I feel no bigotry
rise in me at all. In the absense of commercial intent, I am even entranced
by an antagonist.
And so my hope with my household has me trying to adapt to every
person's pattern of financial coping in whatever way will take the panic out
of it and hopefully inspire them to put it in the background in both their
life and their relation to me. Many times I've seen a financial gift
apparently get inspired by that wish, to try to take the panic focus off of
money by trivializing it. I've never seen what I could call a clear success,
even when the giver was also the receiver, but I appreciate the driving
wish. Live music often looks like the same wish.
I consider this wish to be the opposite of competition. I spontaneously
encourage competition in a commercial effort, either as a team member or by
myself. It makes the whole affair a delight if I can temporarily suspend my
ecological sensitivities and the subtlty of relationship development. And
especially it makes for astounding efficiency through a sort of artificial
solitude. The formality of money enhances this solitude so I and many other
people find it wonderfully mesmerizing in a commercial effort.
Money often serves as a scorecard for the team or the individuals so
for me money almost means competition and also that commercial competition
must have money to measure it with to really go well. In my religious
focused efforts, and the artificial solitude of commerce, money has taken a
beneficial role as a vehicle for what feels like hugely positive drama,
quite as much as any drama or art in my household. I still find it
believable. The competition plays the same role as the slap my dentist
gives me just as he puts the novacaine needle in.
I only meditate on agony when I'm a worry wort, not out of common
sense, so I hold no regrets when I get caught on a wave of narrow
commercial focus, a delight in the wonder and usefulness of gadgets, and a
hope about production, a striving for technical excellence. My sole
philosophical concern while working is to insure that the toboggan of my
effort has a sanely conceived route invented in my other condition as a
worthless simpleton, where my conceptual ego image protects me from
hysteria and where I have my broadest awareness.
This concern gets the biggest challenge from what I call a temporary
tribe, a sentimental group in a workplace. I get fired or driven away from
a lot of work situations by this. The artificial fidelity of employment
seduces almost everyone into falling in love with the group and then the, I
think, inevitable political corruption scrambles everyone's true artistic
spirit in a game that includes defense and revenge. I attribute the illwill
to the commercial exploitation of the artistic spirit and the hiring of
seriously lonely people.
Several of the group households I've been in were businesses of this
sort in disquise and I feel a business consciousness with many of the men
who have lived in my present house. I think a lot of people would rather
live in a business. I attribute this to their preference for the lack of
emotional accountability that a formal setting makes possible and I'm
fairly easy with it as long as I can be left out of the game.
I've seen people at work, who are really committed to formal elegance,
make a technical marvel of the group phenomena, so I'm sure it can be
entirely a good thing. I've seen the same people be utterly in their formal
characters on the stage of commerce and yet casually intimate when they're
off the clock and have a beer. As much as I actually have a sane use for the
money I like to do my best to fit into such a formal dance. The formality
seems to answer my loneliness artificially by inducing a substitute drama
that works as good as solitary religious drama for dodging politics, without
pushing me to forget myself or get sentimental with people who I share no
warmth with.
But I hate having a psychic barrier up and too often I get pushed by a
temporary tribe to ice an outsider emotionally because they're not with the
technical program and sometimes I'm expected to encourage someone who picks
on me. My hope for trust with such a person feels poisoned thereafter by
their confusion about what to expect of me.
So money looks to me like a fairly peaceful formalizing of the law of
the jungle. Passivist wimp that I am that has enormous appeal.
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